26 June, 2017
I'm sure you all remember my many promises to have Comedy of Rain done long ago, but what with writer's block and my recent illness this past Spring, progress got pushed further and further back. On the plus side, at least I was able to sew up some plot holes and brainstorm how to get some of my original ideas back into the ending.
See, I had to go back and restructure things from about chapter 30 on, which included merging two POV chapters into one and giving Hipólito command of that particular plot point. This pulled the plot forward, and, while I had to cut a scene I really wanted to keep, I think this greatly improves pacing and buildup for the big reveal.
But more importantly: I'm writing again, and that means progress is being made on this draft. If the inspiration holds and the Muse stays, then I look to have this wrapped up before the end of July.
11 June, 2017
I had the pleasure of meeting Immy through a critiquing website, and by an exchange, I got to read her Sci-Fi Romance/Erotica novel, The Bonding, before she debuted it. The novel, which is about a princess sent into space in order to save her people, focuses on the unusual bonding between a tribal space warrior and said princess. A bonding rooted in collar-loosening, hand-fanning erotic pleasure. Be sure to check it out if you're looking for a smooth read.
Anyway, let's get started: why do you write?
Immy: Hmmmm . . . I should probably say something really cool and edgy like, "I write because I must," and maybe there's a component of compulsion to it. I certainly feel a writer's high when I finish a great scene, and I feel pride when I'm done editing it and I like it.
You mentioned being proud of your work. What are you most proud of?
Immy: Well, I won't claim that every scene I've ever written is a masterpiece, but there are a couple scenes or characters of whom I am especially proud. I have an Urban Fiction that I'm slaving away at and I have to admit, I love that story. I'm proud of just about every sentence in it, and each character feels like a gift. Like a friend or a child almost. I love those characters intensely.
From my Romance-Eroticas, there is this one scene, it's simple and not deep or anything earth-shattering. It's just about a woman running away from police in a market in a dystopian world, but the details and the wording in it, it just comes alive. It transcends the separation of word and reader and it just sucks you in. Everyone says so when they read it. I just got the balance right. I am proud of that scene. It's from a book that should come out next year, called The Claiming.
Is that what you're working on now?
Immy: Yes and no. I work on a few projects simultaneously to keep myself fresh and my world from getting stale. That is one of the (many) books I'm working on.
Good to know. Can you talk about your process? Specifically, how you go about writing?
Immy: I don't really feel like I'm experienced enough to have a set system. I've finished two books, and have three others halfway finished, and so many more only just begun. I straddle the pants/plot bridge, doing a bit of both. Usually, I get bitten by the writing bug and pound out 10-15 thousand words.
I see. Last question: what happens if you don't write every day?
Immy: The sky falls down. Kidding. Nothing happens. I go to a party, or take a trip, or have an unavoidable appointment and nothing writing-related gets done. It stresses me out, though. Sometimes more than others. I have a harder time staying in the moment, focusing on real people if I don't get some writing time in.
I'm very shy, naturally. It's a constant battle to come up with something interesting to say in conversation, and I tend to forget to listen to people because I'm so in my head. I find that I'm better able to focus on people when I do get a chance to write. I can relax more, play with my kids with more creativity and energy, talk to my husband and remember to ask the right questions, or go to a party and interact with people in a way that they don't even notice I'm weird, or shy, or awkward, or have these vivid, sexy characters chattering away in my skull.
She was born in DC, lives there now, but did go away for a stint at college where she doubled-down on Art History and Literary Analysis. An MFA, a husband, a house, and two kids later, here she is . . . writing some steamy romance. Her professors in school would laugh.
You can check out her website or follow her on Twitter.
Ash Litton is a writer and lover of sci-fi, fantasy, and all things fictional. She is the author of No Signal, Thoroughbred, Evening Hallow, Comeuppance, Cabover Cabaret, and No Diet, No Surgery, No Sweat, and works on other Appalachian Dream Tales between her ongoing novel projects.
When she's not writing, she's drawing, and when she's not doing either of those, she's dreaming up new projects to work on. Born and raised in rural West Virginia, Ash has always wondered what things lay hidden in the hills around her. She attended West Virginia University, where she studied the English language before returning home to her family in rural West Virginia.