30 August, 2016

Like water, like glue

Some stories flow like water. Tragedy of Ice was like that for me. I sat down a year ago, back in February 2015, and hammered out the whole manuscript in under a month.

Some stories are like glue, though. Comedy of Rain is like this right now for me. I started it during NaNoWriMo 2015, and the writing has oozed along, getting stuck along the way, building up obstacles, and meandering in ways I don't want it to go.

I wish I knew why some stories are more like the latter, as I think it would help me get through the massive difficulties I've faced with getting this one down on paper. I don't know what it is about Comedy of Rain. I have bullet points—bullet points!—detailing everything to do with the final chapters, and I just can't seem to sit down to write anything past 200 words at a time at this point.

It's sluggish, but more importantly: frustrating. I know exactly what I want to write. I write when I am in front of the screen, but I can't do more than those painstaking 200 words at a time.


But ultimately: I am writing. So unless a block happens altogether, I'm still making progress, and that's what matters.

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Ash Litton

Ash Litton is a writer and lover of sci-fi, fantasy, and all things fictional. She is the author of No Signal, Thoroughbred, Evening Hallow, Comeuppance, and Cabover Cabaret, and works on other Appalachian Dream Tales between her ongoing novel projects.

When she's not writing, she's drawing, and when she's not doing either of those, she's dreaming up new projects to work on. Born and raised in rural West Virginia, Ash has always wondered what things lay hidden in the hills around her. She attended West Virginia University, where she studied the English language before returning home to her family in rural West Virginia.