22 March, 2014

Synopsis shuffle

With all the work on short stories and such that I've been doing as of late, I bet you thought I'd neglected UNCERTAIN HEIRS. ^_~

The truth is, I've been focused on the fourth draft and preparing the synopsis. I want to begin querying agents, but I can't do that yet without perfecting this beast. And it's everything people make it out to be -- the synopsis is, I think, the most important selling point for any agent. All the websites I've read agree on that, but they all have their own approach. So, for now at least, I'm going to follow their example and take my own approach by writing my summary out as if I were talking to a bunch of friends, trying to get them interested in reading my work.

I've done three versions so far. Each time, I rewrite the next synopsis without referencing the ones that came before, looking for the key plot points, verbiage, etc. that reoccur. There'll probably be at least ten separate versions by the time I'm done with it.

And ten's a smart way to average out what I need and what I don't -- but I'll let you know in a few weeks how that works out.

Until then, enjoy the copy of Thoroughbred that I have up for sale over at Amazon.

See ya, space cowboy!

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Ash Litton

Ash Litton is a writer and lover of sci-fi, fantasy, and all things fictional. She is the author of No Signal, Thoroughbred, Evening Hallow, Comeuppance, and Cabover Cabaret, and works on other Appalachian Dream Tales between her ongoing novel projects.

When she's not writing, she's drawing, and when she's not doing either of those, she's dreaming up new projects to work on. Born and raised in rural West Virginia, Ash has always wondered what things lay hidden in the hills around her. She attended West Virginia University, where she studied the English language before returning home to her family in rural West Virginia.